
| 2013
Jeff Sigurdson Harp Guitar | 

| This
      is the fourth instrument I’ve offered by Canadian luthier Jeff
      Sigurdson, but for those new to his harp guitars, please allow me this
      brief history, so you can fully appreciate what you’re seeing. Several
      years ago, an old harp guitar acquaintance of mine by the name of John
      Hartman raved about a Canadian builder named (Jeff) who had been quietly
      building Dyer-style harp guitars.  John
      suggested that I consider working with Jeff to build some quality
      instruments that we could offer through Harp Guitar Music. 
      On John’s recommendation and a leap of faith I went into a short
      but successful partnership with Jeff. 
      I wasn’t disappointed. My
      first commission
      (offered in 2010) I called “one
      of the best hand-built harp guitar values I've seen in ages” and Jeff
      “…one of the harp guitar world's best kept secrets.” Our
      second collaboration
      resulted in again in “one
      of the best hand-built harp guitar values currently available. 
      Acoustic tone is stellar.  Lovely crisp overtones and nice
      complex basses.” Later,
      I sold John Hartman’s original
      2008 instrument. And
      now it’s time for the pièce de résistance! Built
      shortly after my commissions, this was John’s second
      Sigurdson (yes, he loved them
      that much).  For this one, they
      went all out, including using a set of the gorgeous claro walnut that
      luthier Kerry Char had cut specifically for harp guitars at my request. John reluctantly has to part with
      his prize, but my hope is that his loss will be someone’s gain and
      life-changing harp guitar moment.  You
      will rarely see
      a Sigurdson come up for sale, and Jeff now charges a base price of $10,000
      for new builds.  We have this
      very temptingly priced, as it is "used" (three years old), but absolutely
      mint. Though
      the instrument is not on premises, I can obviously vouch for its quality,
      and predict that the exceptional tone is similar to those I handled in the
      past (and perhaps better).  Again,
      I must emphasize that it is the value
      that sets these apart; quality and tone are equivalent to a much higher
      priced instrument. The
      owner will send it directly to the customer, shipped in one of my original
      HGM CaseXtreme lightweight
      indestructible flight
      cases, and my standard 48-hour approval period applies. I’ll
      let John himself share the rest of the details:  “This
      is an absolute gem from Jeff Sigurdson. This is the second harp guitar
      Jeff built for me, and it is better in almost every way from the first
      one, and the first was a tone monster. This is the only Claro HG I’ve
      ever played, or seen, and it’s a perfect choice of tonewoods with which
      to build. “Jeff
      builds a modern Dyer variant, incorporating a few contemporary changes of
      his own, both inside and out.  Though Jeff's specialty is Flamenco
      and Classical guitars, he honed his steel string expertise during eight
      years at Larrivée Guitars, and it shows. Jeff builds in the Spanish style
      and uses only hide glue for all joins, which he swears makes a huge
      difference tonally. It does. “Woods
      include a beautiful master grade, perfectly quartered Lutz spruce top,
      hand-chosen by Shane Neifer that is packed with medullary rays. The highly
      flamed, all the way across the set, Claro Walnut was from the Kerry
      Char’s personal stash. The headplates are ebony, with some figuring in
      the uncarved bass head.  “Binding
      on both top and back is deeply figured flamed maple, with an additional
      b/w strip on the top.  The silver "micro dot" fret markers
      and bridge inlays are a nod to Jeff’s Larrivée heritage, a leftover
      influence of his time there.   “The
      flat neck dovetail (ala Charles Hoffman) simplifies this time-consuming
      joint, while more time is spent on the internal bracing (using all hide
      glue construction) and a beautiful gloss nitro varnish for the body with a
      satin finish on the neck.  Sub-bass nut posts are custom made of
      metal.    “This
      is very sweet instrument that offers a great value for the cost. Acoustic
      tone is BIG, complex, lush, clear, sweet as can be, and very even across
      all the strings.  Basses are crisp and complex with lush overtones. Balance
      is perfect across all 6 sub-basses.”
       Again, with the other three Sigurdson transactions under my belt, I know you can take John's comments to the bank! -
      Gregg "Sir Gregory" Miner | 
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