
| 
      Hoffman 2009 6-sub-bass Harp Guitar | 
| Here’s something you
      don’t see every day…a beautiful, secondhand Charles Hoffman harp
      guitar with six sub-basses that
      has barely been played! Hoffman’s instruments are
      held in high regard by the likes of Dakota Dave Hull, Tim Sparks and Leo
      Kottke.  From what I hear, the
      popular Minneapolis luthier has retired from building. Hoffman was one of
      the first to design and built his own slightly different take on the Dyer,
      typically with five subs. This March, 2009 specimen is the first he built
      with six basses, and I don’t know how many others followed. Certainly,
      only a bare handful of Hoffman HGs are out there. Though it looks much like a
      Dyer, it features the recognizable Hoffman headstock and fingerboard end.
      The heel area is flat, which makes the neck joint much easier to execute
      (several builders opt for this approach). While Dyer necks join the body
      exactly halfway between the 12th and 13th frets,
      Hoffman somehow managed 14 frets clear, and the extra access is nice. His
      scale is 25-1/4” with a 1-3/4” nut width. I consider Hoffmans up
      there in the top ten best-sounding boutique harp guitars. This one plays
      and sounds like a dream. You can hear a Hoffman harp guitar optimally
      played and recorded on Dan Schwartz’ beautiful
      harp guitar EP High
      Plains Gospel (Dan will be featured again at the
      October, 2019 Harp Guitar Gathering®). This one has a nice darkish
      Sitka spruce top and mahogany back and sides. (For some reason, my full
      front photo looks “dirty,” which is not the case – it’s just the
      photo. It does have a couple of claw figures and natural dark spots). The
      top (including headstock) and back both are nicely bound with
      black/white/black binding and tortoiseshelluloid; the top has an
      additional wood binding section, which also appears in the rosettes. Condition is excellent, but
      not perfect. First off, I’m forced to give the original build a 9 for
      fit and finish, just for a couple imperfect seams and what looks like a
      couple faint vise impressions on the
      headstock. They’re hard to photograph and only show up at certain
      angles, but seem to be under the stain and finish. The finish is highly
      reflective, as my photos illustrate. Though the previous owner rarely
      played it, it has typical superficial scratches here and there. There are
      concentrated fine, light scratches in the finish of the upper back, a tiny
      finish ding on the side and one tiny chip through the finish on the back
      of the neck. I gave it a cursory cleaning; it could use a good polish and
      – if one is super picky – a light buffing should get it back to 99%. It comes with a nice Cedar
      Creek plush hard case, and K&K pickups are installed – so this is
      absolutely ready to go for recording and performing…maybe even that
      special airport gig?! –
      Gregg "Sir
      Gregory" Miner | ||
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                Berwald, Bill Dutcher, Gregg Miner, Pasquale Taraffo | 
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