Those of you “across
the big pond” are lucky – you have access to a steady supply of
these instruments, which Brussels luthier Benoit
buys, restores and sells to players all over Europe.
He’s seen, heard and repaired more of these than anyone on
the planet.
This is one Ben sold to
one of my fellow Californians, who has enjoyed it for a couple years
now. As Ben originally
explained, Haid was one of the better makers, both in construction and
sound. Having compared it to a couple of others, I'd have to agree.
After restoration, Ben
retro-fitted it with Peghed 4:1 tuners.
These are the little miracles that look like the original
friction pegs, but are actually clever metal mechanical devices with
hidden gears inside. They
make all the difference in turning these otherwise fantastic old
instruments into real players for modern use - you pull out to loosen
them and push in to
tighten, just like real friction pegs! A couple of these are
scraped up, as the previous owner had to re-insert them after some
loosening in shipping.
Action and neck relief
are imperfect but decent. Neck is original with new frets.
I have adjusted the
clock-key neck adjustment to its furthest point (lowest action), and the low E is
5/32" from the 12th fret.
It’s strung with standard classical strings, and no, it should not be strung in steel, though many have used
silk & steel strings on these instruments with no ill effects.
Top has mild bellying at the bridge.
Nut width on this
instrument is nice, amost 1-7/8". Sub-basses have various
historical tunings (Eb down to A chromatically would be
typical). It is currently strung heavier for a diatonic
tuning. But feel free
to string and tune it any way you like.
Tone is very nice -
rich, medium+ volume with good balance across the entire range.
Original label is
present. The metal rod supporting the body is
traditional for most makers.
Top is spruce with
plenty of fingernail marks, and likely an old over-finish.
Several old repaired cracks and a small diamond patch in top.
Back and sides are a stained maple (decent flame on the sides).
1 medium repaired crack on back (built under tension) and plenty of
finish wear. A few messy crack repairs in headstocks as well.
The Pegheds originally
cost Ben $325, so that is reflected in the price (the 2 scratched ones
could easily be replaced if desired).
All in all, a solid,
ready-to-go Viennese harp guitar with plenty of potential.
Common in Europe, but very hard to obtain in the States where you know
what you are actually dealing with. For those of you who enjoy
the sound of nylon (or better yet, Nylgut or real gut), you may find
that these old Viennese instruments have a lot more character than do
modern "classical guitar"-style harp guitars. And are
easier on the pocketbook!
-
Gregg Miner, the "harp guitar pope"
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