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      Tim Donahue
      Signature 6/6 Fretted Electric Harp Guitar SOLD 
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 Here’s something I’ve never offered in my two decades of unique harp guitar listings: an iconic Tim Donahue Electric Harp Guitar! While
      there are plenty of electric HGs out there (of varying degrees of
      quality), the majority follow the pattern of traditional acoustic
      instruments with sub-bass strings. This is an entirely different concept;
      for those unfamiliar with Tim’s unique invention, read on! Though
      Tim – a dear friend of mine – has graced two of the Harp Guitar
      Gatherings and I am well familiar with his music, I haven’t followed the
      production of these remarkable instruments over the years. So, I thought
      it best to let the owner speak about this instrument, as he is the one who
      originally ordered it from Tim in Japan and thus knows all the details (he also supplied the
      detailed photographs). Rick Menzel writes: “I
      am the current owner of this beautiful instrument, serial number 2010072.
      It is the seventh of a total of thirty built during the period from 2010
      to 2018 and the first of only five ever sold in the United States. I might
      suggest you begin your consideration of this instrument by going to www.timdonahue.com.
      Unfortunately, the harp guitar section has not been updated since 2019,
      when the last one of these thirty wonderful instruments was sold. It still
      is a wealth of information about Tim and the instrument, much of which I
      reference below. “Sometime
      in the mid eighties, Tim was looking for an instrument to play the music
      he heard in his head. He envisioned a cross between a fretless guitar and
      an electric harp guitar which didn’t exist at the time. So he designed
      and built two prototypes that broke with tradition by putting treble
      strings in the harp section rather than bass. Initially, both were
      fretless, with one later converted to fretted which Tim said opened a new
      musical world for him and is now his main instrument. “He
      performed and recorded with these instruments for twenty-five years, all
      the while refining the design and developing his independent left/right
      hand playing techniques. As he built a fan and student base, interest in
      the instrument grew to the point where a production run became feasible.
      He searched for years to find a builder willing and able to build limited
      production runs of his instrument. There were failed attempts with two
      different manufacturers that did not follow his design and specifications.
      Finally, Tim found ASKA/DEVISER, a division of Momose Guitars, located in
      the mountains of Japan (Tim’s adopted country), that is highly respected
      for their craftsmanship, electrical expertise and supply of premium wood
      stock to build the first production run of six in 2010, followed quickly
      by a second run of six that same year. “Tim
      called this the world’s first ‘production electric harp guitar.’ It
      is important to note they are production only in the sense that patterns
      and jigs where made but each individual step of the build was performed by
      highly skilled Japanese artisans, technicians and luthiers. The only
      significant option offered was fretted or fretless, all others were
      cosmetic. The site did list an option of eight harp strings, however, it
      is my understanding that no 8/6 was ever built but at least one 6/6 was
      later converted.  “The
      specs for this instrument available through Gregg are listed below: WOOD:
      One-piece African mahogany body. One-piece African mahogany neck and head,
      both embedded with a non-adjustable aluminum truss rod. Ebony fretboard
      with Jim Dunlop jumbo frets, brass side markers and laser-cut ‘Tim D’
      signature inlay at the twelfth fret. Ebony capped head with custom brass
      nut and string ferrules. FINISH:
      Hand-rubbed Natural Oil. HARDWARE:
      Gold-plated special order Gotoh tuners featuring adjustable post height.
      Gold-plated wide range Gotoh Tune-o-matic bridge. Gold-plated knurled
      volume knobs. ELECTRONICS:
      Guitar has EMG active humbucker and harp has EMG active single coil, each
      with separate 1/4” output jack and volume control. Requires two 9v
      batteries. DIMENSIONS
      AND WEIGHT: Scale length is 630mm (24.8”) which is almost the same as a
      Les Paul. The brass nut is 2” wide which is the same as most classical
      guitars. The instrument is a very compact, well balanced 36” in length
      and weighs just under 8 lbs, the average for electric guitars. To
      accommodate the additional stress of the harp strings, the depth or
      thickness of the neck is approximately 1.5” at the fifth fret compared
      to about 1” on most electrics and acoustics. Although it takes a little
      getting used to, the width and thickness of the neck forces the left hand
      into a more natural, less fatiguing position and facilitates advanced
      techniques. ADDED
      OPTIONS: Dr Hook cable manager is simply a gold-plated cable retainer
      mounted at the end of the body to relieve stress at the output jacks. Dr
      Fret ver. 3 is a package of small, short pieces of triangular brass that
      can be adhered anywhere on the body under a harp string acting as a
      removable bridge, allowing countless possibilities for additional notes.
      They do not mar the finish. CASE:
      Custom fitted plush lined case with key from premier Japanese
      manufacturer. INCLUDED:
      Hex wrench and instructions for adjusting harp string post height. All
      written documentation originally and subsequently supplied by Tim
      including wood origin (Lacy Act) documentation. All teaching CDs and DVDs
      supplied by Tim. Package each of 16 and 17 gauge plain steel harp strings. HOOK
      UP REQUIREMENTS: The minimum is two right angle-to-straight guitar cables,
      a small two-into-one mixer or pedal, an instrument cable and an amplifier.
      In lieu of an amp, a really good starter option would be to go silent and
      use either an amp in the box type pedal or an amp/effects modeling unit,
      being sure your choice has a headphone out. My personal setup was two (one
      each for guitar and harp) rack mounted channel strips (pre amp,
      compressor, eq) feeding a rack mounted dual channel stereo multi-effects
      unit going to mixer and out to a pair of power speakers and a sub-woofer.
      I think you get the idea that hook up options are many, allowing you to
      create the sound and music you hear in your head. CONDITION:
      Excellent to near mint. There is only slight finish wear from strap around
      the lower strap pin, normally covered
      by strap. “A
      FEW WORDS ABOUT TECHNIQUES: If you have watched videos of Tim playing, it
      is hard not to be amazed and possibly a little intimidated by his
      incredible technique. Part of what makes this possible is the very
      responsive fingerboard and resonate body which provide long, piano-like
      sustain. He mainly dedicates his right hand to the harp and sounds the
      guitar by tapping, plucking, flicking, hammering-on and pulling-off with
      the left. There is some information online about this technique and I
      believe Tim is still offering individual online lessons. However, don’t
      let the above put you off. There is no right or wrong way to play this
      unique instrument…as always, only the music counts. The joy of
      exploration is really what you’re purchasing with this instrument.
      Thirty were built; five players, including Tim, have two (one fretless and
      one fretted) which means only twenty-five people have experienced this
      joy. I feel lucky and privileged to be one. Join us!” Thanks
      for that invitation, Rick! Some
      additional
      resources:  Tim
      wrote a Players column for Harpguitars.net, archived here: https://www.harpguitars.net/players/after6_vol6n1.htm
      In that, you’ll find his nominal tuning (the harp strings are not
      “super-trebles,” but in the range of the neck), and also a brief but
      fascinating discussion of Tim’s synesthesia (he “sees” music as
      colors).  Besides his several
      out-of-print albums, Tim can be heard on his many YouTube and Facebook
      videos. On CD, he can be heard on two of my Harp Guitar Music CD
      compilations (which you can sample on my Bandcamp): Harp
      Guitar Dreams and Christmas
      Present. Many of the other players
      that Rick alluded to can be seen in two of my blogs: Tim
      Donahue’s Growing Electric Harp Guitar World and Checking
      in on Tim Donahue’s Plan for Electric Harp Guitar Global Domination And of course, TIM
      DONAHUE OFFICIAL WEBSITE Have fun exploring...and please come back to discuss this rare opportunity! 
 A quick note for U.S. musicians: This instrument is in California, which offers a great chance to save on shipping. -Gregg "Sir Gregory" Miner | 
 
 
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| SOLD | 
| CDs & 
                DVDs by Stephen Bennett, John Doan, Muriel Anderson, Andy McKee, 
                Stacy Hobbs, Tom Shinness, Dan LaVoie, James Kline, Larry 
                Berwald, Bill Dutcher, Gregg Miner, Pasquale Taraffo | 
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